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inspire me

So, where do the stories come from? What makes a good story? Or…what makes a story good?

As with all art, it is up to the Reader to decide whether a story is good or not, and for many they can’t tell you why they feel that way.

Some of us like to read dark, dystopian stories that let us see that the hell of our reality could be so much worse. Some prefer lighter and brighter stories that let us see a better world/future. Some are in it for a driving plot. Others prefer character driven stories. Some want action. Some want comfort.

When I’m reading I like a lot of different kinds of stories. I am drawn to science fiction and fantasy, especially when the characters are vibrant and relatable, even if they are aliens or elves.

However, when I write, tend to stick a little closer to home. All of my published work, and the current series I’m working on, take place in our world (at least to start). My characters are where my story comes from, what my stories rely on. Without them, there is no story.

So, what makes a good character?

Look at the people in your own life. See them for who they are, all their faults and foibles, all of their joys and triumphs. Each of your characters should be that real. Take your time with them, yes, even the background characters should have their own life.

When I am just getting started with a character, I build what I call a character sheet. It includes name, age, height, build, eye and hair color, etc. Then I will add a short backstory. I have a section for character traits (lazy, loves cocoa, overly casual, etc), and how those traits play out in behavior.

It makes a good reference point while writing, but it also gives me what I need when I read through the story for that character. And yes, I read through each story for each character before it goes to my editor…yes, that can be a lot of read throughs!

Probably 80% or more of what goes onto the character sheet never makes it into the story, other than being in the character. For background characters that can be as high as 90%, but I could pick up that character and write the story from their point of view at any time because I know them that well.

My characters are people. Sometimes I hang out in the bar in my head with them while they tell me who they are.

What about you, Reader? What do you look for when you’re reading?

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from a certain point of view

As a reader, one of the things that can kick me out of a story or make me put a book down is what I call “point of view slips”. You know, you’re reading along in one point of view and there’s that random sentence/paragraph that is written in a completely different point of view.

Of course, as a writer, one of the easiest ways to avoid this kind of slip is to write in first person. If my narrative voice is I/me, I’m not going to accidentally tell you what another character is thinking/feeling without that character expressing it in some way.

As an editor and writing coach, this is one of the areas that I dig into. I tell my clients to ask a few questions to help them sort it out.

  1. Who is telling the story?
    • Even in third person narratives, the story is told/experienced through a character. Who is it? What do they know/see/hear/observe?
  2. How does that character know the information in that different point of view?
    • Is your character a mind reader?
  3. Is it necessary for your reader to know what that second character is thinking/feeling? Is it more important than what your primary character is thinking/feeling?

As an example, let’s take a look at how this might present in a fictional setting.

"Harold set his mug down on the table and surveyed the room as the chime on the door announced a new arrival. His impatience was building. He never did like waiting.  Nancy was always late, but he could see her now, shaking the rain off her umbrella in the doorway.  
A thousand apologies ran through her mind as she saw him waiting there, but she settled for lifting a hand in greeting while she finger combed her damp hair.
Harold nodded to the coffee he'd ordered for her, standing to receive her air kiss and shivering when her cold hand touched his arm."

That middle paragraph there takes the reader out of Harold’s point of view, and drops them into Nancy’s with no real pay off. There is nothing in that paragraph that is essential to the reader, or if that is the part that is important, then perhaps the author has chosen the wrong point of view character.

The question then is: Who is telling this story? Whose character has most to contribute to the reader’s understanding of the action? If it is truly Harold, the middle paragraph needs to change to reflect what Harold sees/hears/understands of Nancy’s arrival. If instead, the point of view with the most to offer is Nancy’s, then the rest of the piece needs to be reworked to show her understanding of her arrival and Harold’s impatience.

That isn’t to say that point of view changes are bad. We’ve all read books where the author chooses to change the POV character for various reasons. The trick is knowing when, where and how to do it.

What say you, Readers? Is this a sticking point for you too?

Photo by Warren Wong on Unsplash

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writing time

It’s early on a Saturday morning and I am up, showered and dressed (for some value of dressed anyway).  There is coffee sending up steam and the aroma of goodness on the desk next to me, most of my house is clean and I have a weekend stretched out in front of me.

Today I am going back to the short story I recently finished, having received feedback from my beta reader.  I have a much firmer idea of what happens before the story than I did when I began, and the characters are much more real to me than they were 5000 words ago, so it’s time to readdress and rewrite.

That’s the task for this weekend, to get that story up on its feet, so to speak, so that I can focus on editorial duties as we start to approach the deadline for submission.  I have to admit, I love playing editor for projects like this one.  I get to read a diverse set of stories, from a diverse set of female writers about a diverse group of characters.

I am also expecting my mother at some point today, she’s driving out to spend some time with me and we plan on hitting up the local nursery, and possibly some other fun places.

If you want to read more of my blog ramblings, I have two other blogs that I am actively attempting to maintain, one of them is chronicling my weight loss journey post-surgery, the other is mostly my take on current events, being fat in a world that rewards skinny, as well as philosophical ramblings on politics and religion, as seen from a point of view outside the mainstream. There is poetry blog too, if you’re into that sort of thing.  I also have a Patreon, if you’re interested in seeing some content from me before others, some exclusive content, etc.

You can find these here:

Weight Loss: https://aweightyjourneysite.wordpress.com/
Current Events: https://myweightinwords.wordpress.com/
Poetry: https://weightywordspoetry.wordpress.com/
Patreon:  https://www.patreon.com/nataliejcase

You can also find me on FacebookTwitter, and Instagram (be warned I post a lot pictures of my cats).

I should get to that whole writing thing.  Happy Saturday, Readers!  May it be filled with fun, silliness and a whole lot of love!