Thanátou and Mörderin (The Blood Witch Saga) out now!
The city of Gavelscore resembles London in the 1880s, except the society is matriarchal and women run much of the world. The language resembles Old English, so when Thána is approached by someone who speaks English with an Australian accent, she’s shocked and intrigued. To hear Anne tell the story, she fell through a hole
Thána and her friends find themselves in a world of many dangers, including the church militant. Like the rest of the world, the church, and its military, are led by women. Stâlian Susanna Batorry is the sharp weapon of this military, called The Mother’s Weapon. When we first meet her, she has come to Gavelscore
Yesterday I turned in my final edits on book three of the Blood Witch Saga. I think it’s my favorite of the series. What’s not to love about a gender-bent Victorian society, a Jack-The-Ripper style serial killer and magic? Thána, Xen, and Daria find themselves in a world where witches are killed by hanging, and
Today, I want to introduce you to Daria, Thána’s younger sister. Despite the fact that they were not raised together, Daria has always lived in Thána’s shadow in one way or another. When they were young, Daria’s life revolved around keeping Thána out of the hands of the Brotherhood. Later, it was about keeping their
Sometimes I come here knowing exactly what I want to write about. Other times, I don’t have a clue until I start writing. Today is the latter. I always come away from Sirens with new inspiration and this year that has become a series of character studies. I’ve always done them for my main characters,
So, where do the stories come from? What makes a good story? Or…what makes a story good? As with all art, it is up to the Reader to decide whether a story is good or not, and for many they can’t tell you why they feel that way. Some of us like to read dark,
I get asked fairly often how it is that I do what I do. For a long time I didn’t realize that not everyone has an endless loop of stories in their heads or characters that pull up a chair to have a chat. It seems inconceivable to me and I know that in those
As a reader, one of the things that can kick me out of a story or make me put a book down is what I call “point of view slips”. You know, you’re reading along in one point of view and there’s that random sentence/paragraph that is written in a completely different point of view.
Most weekends are set aside as time for writing/editing/other book related ings. Sometimes I dump several thousand words onto a page. Sometimes I strike a couple hundred off the page. Sometimes I tweak little things. But there also days when I research odd things, fall down a rabbit hole of baby names sites, draw (badly)
Every story I write, there comes a time somewhere in the writing or editing (or both) where I decide the whole plotline sucks, when I’m ready to chuck the whole thing and give up writing forever. Every single time. Sometimes at multiple points in the journey from concept to published story. I’ve recently hit this
Natalie J Case 