Tag: writing coach

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inspire me

So, where do the stories come from? What makes a good story? Or…what makes a story good?

As with all art, it is up to the Reader to decide whether a story is good or not, and for many they can’t tell you why they feel that way.

Some of us like to read dark, dystopian stories that let us see that the hell of our reality could be so much worse. Some prefer lighter and brighter stories that let us see a better world/future. Some are in it for a driving plot. Others prefer character driven stories. Some want action. Some want comfort.

When I’m reading I like a lot of different kinds of stories. I am drawn to science fiction and fantasy, especially when the characters are vibrant and relatable, even if they are aliens or elves.

However, when I write, tend to stick a little closer to home. All of my published work, and the current series I’m working on, take place in our world (at least to start). My characters are where my story comes from, what my stories rely on. Without them, there is no story.

So, what makes a good character?

Look at the people in your own life. See them for who they are, all their faults and foibles, all of their joys and triumphs. Each of your characters should be that real. Take your time with them, yes, even the background characters should have their own life.

When I am just getting started with a character, I build what I call a character sheet. It includes name, age, height, build, eye and hair color, etc. Then I will add a short backstory. I have a section for character traits (lazy, loves cocoa, overly casual, etc), and how those traits play out in behavior.

It makes a good reference point while writing, but it also gives me what I need when I read through the story for that character. And yes, I read through each story for each character before it goes to my editor…yes, that can be a lot of read throughs!

Probably 80% or more of what goes onto the character sheet never makes it into the story, other than being in the character. For background characters that can be as high as 90%, but I could pick up that character and write the story from their point of view at any time because I know them that well.

My characters are people. Sometimes I hang out in the bar in my head with them while they tell me who they are.

What about you, Reader? What do you look for when you’re reading?

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let’s build

I get asked fairly often how it is that I do what I do. For a long time I didn’t realize that not everyone has an endless loop of stories in their heads or characters that pull up a chair to have a chat. It seems inconceivable to me and I know that in those brief periods of writer’s block I felt like I was going crazy without them.

Each story starts as either a character who just springs to life in my mind, or as world building. Brain, my muse, loves world building. I have hundreds of partially defined worlds in my head at any given time. Sometimes it starts with a concept, say a universe where corporations govern, or gender-bent Victorian era. Sometimes it begins with a character, say an orphan raised in restrictive religious colony that shuns technology but is herself a technological wonder or a pickpocket who is quick on her feet.

Those are the easy things. The stuff that comes before the writing.

Of course, the challenge then is to populate those worlds with characters that will get the reader’s attention or to find a world for that character to live in.

When it comes to plot, I often start writing without one. The first words I get out tell us something about the character, usually by dropping in on them in the middle of some scenario or situation that may ultimately have nothing to do with the primary plot, but gives us a good idea who this person is.

Most of the time, I let the plot fill itself in as I write. Sure, this means that sometimes I have to do some extensive re-writes to make sure it all comes together, but I find that this is where the story comes to life for me. Sometimes I have specific plot points in mind that I want to hit along the way, but not always.

Of course, because Brain is fond of world building, I sometimes craft these meticulously detailed worlds that then sit idle until the right set of characters come around. I have a notebook full of these, and a folder on my One Drive as well.

Now, if I could just get Brain back to the work of telling this story! I have two weeks until I start my new job to try to finish the zero draft of the third Blood Witch book. My coffee is getting cold, Readers, so I’ll leave you here. Have a fabulous Sunday.

Photo by Hello I’m Nik on Unsplash

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let’s talk tense

As a new writer, one of the hang ups I had was tending to slip between past tense and present, particularly when I was writing action. There’s just something more intense about action in the present tense.

It was an accident that I would sometimes catch, and sometimes not. I still do one thorough reading pass on everything I write just to look for tense slip ups.

None of this to say that one is right and the other wrong, but like POV and you narrative voice, your tenses need to be consistent or you risk pushing your reader out of the story.

I don’t know that I’ve ever read a full novel that was written in present tense, but I’ve read, and written, a fair number of short stories that were. It seems to work particularly well with actions scenes, as I already said, and in particular with sex scenes.

And yeah, I’ve written a few of those in my day. Present tense seems to feel more immediate, more intimate for those moments. However, if your entire story is all past tense, and your action is present tense, well it just feels off. Some readers will recognize the problem, others will only realize that something is different.

Don’t let it keep you from getting your first draft down on paper/screen though. That’s what editing and editors are for.

Happy Friday, Readers! I accepted a job offer yesterday, so I have two weeks to try to finish up the last Blood Witch book before I’m back to the daily grind!

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from a certain point of view

As a reader, one of the things that can kick me out of a story or make me put a book down is what I call “point of view slips”. You know, you’re reading along in one point of view and there’s that random sentence/paragraph that is written in a completely different point of view.

Of course, as a writer, one of the easiest ways to avoid this kind of slip is to write in first person. If my narrative voice is I/me, I’m not going to accidentally tell you what another character is thinking/feeling without that character expressing it in some way.

As an editor and writing coach, this is one of the areas that I dig into. I tell my clients to ask a few questions to help them sort it out.

  1. Who is telling the story?
    • Even in third person narratives, the story is told/experienced through a character. Who is it? What do they know/see/hear/observe?
  2. How does that character know the information in that different point of view?
    • Is your character a mind reader?
  3. Is it necessary for your reader to know what that second character is thinking/feeling? Is it more important than what your primary character is thinking/feeling?

As an example, let’s take a look at how this might present in a fictional setting.

"Harold set his mug down on the table and surveyed the room as the chime on the door announced a new arrival. His impatience was building. He never did like waiting.  Nancy was always late, but he could see her now, shaking the rain off her umbrella in the doorway.  
A thousand apologies ran through her mind as she saw him waiting there, but she settled for lifting a hand in greeting while she finger combed her damp hair.
Harold nodded to the coffee he'd ordered for her, standing to receive her air kiss and shivering when her cold hand touched his arm."

That middle paragraph there takes the reader out of Harold’s point of view, and drops them into Nancy’s with no real pay off. There is nothing in that paragraph that is essential to the reader, or if that is the part that is important, then perhaps the author has chosen the wrong point of view character.

The question then is: Who is telling this story? Whose character has most to contribute to the reader’s understanding of the action? If it is truly Harold, the middle paragraph needs to change to reflect what Harold sees/hears/understands of Nancy’s arrival. If instead, the point of view with the most to offer is Nancy’s, then the rest of the piece needs to be reworked to show her understanding of her arrival and Harold’s impatience.

That isn’t to say that point of view changes are bad. We’ve all read books where the author chooses to change the POV character for various reasons. The trick is knowing when, where and how to do it.

What say you, Readers? Is this a sticking point for you too?

Photo by Warren Wong on Unsplash

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editing services

I have openings in my editing schedule, and I’m looking to fill them!

Do you have an editing need? I provide business, technical, creative non-fiction and fiction editing with a quick turn around to help you get ready for publishing/submitting.

What types of things do I do?

  • Final Copy-Edit (typos & polishing)
  • Developmental Edit (Asking lots of questions, helping develop plot points,etc)
  • POV intensive
  • Technical Writing (software, hardware, manuals, online help, how to guides, etc)
  • Business Writing (website editing, blog posts, employee manuals, etc)

How can I help you? Email me at natalie@nataliejcase.com.

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writer & editor at large

As we start a new week, I find myself very worried about money, but still optimistic overall. I have a little bit of work, with a vague promise of more on the horizon.  I haven’t been paid yet for  my first week, just submitted my hours for the second week, and we embark on the third.

The other job I was supposed to start is on hold, due to the fact that they can not complete the background check, because the courts in San Francisco are not open.  So that means I have space for more editing or writing work, if you happen to know of any work that needs doing.

I’m on Upwork, but will work with folks outside of that as well.

So other than that bit of the work I’m doing for one client, I’ve been working on The Blood Witch.  I hope to have this final edit done by the weekend.  Which is when the work to sell the book begins.  Which starts, as most things do, with research.  Then query letters, which will  hopefully lead to an agent, who can help with that whole selling part.

As I do, I’m also watching a lot of documentaries, particularly true crime documentaries.  I found a motherlode of new-to-me tv shows and movies on Hulu.

I hope you and your families are staying safe and not going a little stir crazy.  Be smart, as we start opening things back up.  This virus has not yet done its worst, and I fear that loosening restrictions too quickly will send a wrong message to too many people, opening us up for a strong resurgence of victims.  Mask up. Wash your hands.  Stay home if you can, and don’t let people closer than 6 feet.  You never know whose life you might be saving.  It could be your own.

I love you, Readers!  Happy Monday!

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the games people play

Wow, how did we get to March so fast?!  Seems like we were only just sludging our way through the year of January, and now we’ve made a slide into March.  My plans to take over the world have fallen seriously behind.  Something must be done!

No, seriously, while things are ugly in the world of politics and the scare of a global pandemic is emptying shelves in the stores around the country, and the fact that I still do not have gainful employment, I’m doing pretty good.  At least through April, because I have my rent paid that far ahead.  So, I better find something pretty fast.

Honestly, I’d be surprised if some of the sluggishness in hiring is the uncertainty of the world right now.  I’ve seen the same technical writer jobs with the same companies posted and reposted on all the job boards since early in January.  At least one of them every few weeks since last summer, YIKES.

Add to that the fact that I refuse, at fifty one years old, to spend four hours of my day (on a good day) in the car to get to and from a job, and I’m left here trying to manifest a job that has yet to come into sight.  It is out there though.  I’m sure of it.

In the meantime, I write, I rummage and ransack job boards, I keep lists of places and jobs I have applied to, and I have rediscovered my love for story based video games.  I suck at them (as an example, I spent almost two hours yesterday trying to defeat the first serious “boss” in Jedi: Fallen Order…and gave up for the day without doing it…got her down to about half health a couple of times, but I’m not coordinated enough to dodge and stuff, and she’s wicked fast).

I am considering developing an online course for writers struggling with the concepts of Point of View and maybe a few others like it, but I have no concept of what to charge for something like that.  I’ve been coaching and beta-reading for years, but always in areas I can’t claim on a resume, so I’m thinking maybe I could formalize what I’ve been doing.  I’m also going to revamp my editing offerings, make them simpler.

Plus, it’s time for Pride to ramp up.  Had my first management meeting yesterday.  Got some exciting new ideas flowing there.  I hope it pays off.

For now, the coffee is hot and I need to start my daily haunting of Linked In and Glassdoor and Indeed…I’ve stopped using Monster (because holy hell the crap recruiters try to shovel in my direction from there) and even Career Builder (for much the same reason) which used to be my go-to sites for job hunting.

Happy Wednesday, Readers.  May kindness find you!

 

Photo by Caspar Camille Rubin on Unsplash