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zero drafts and idle hands

Yesterday I completed the zero draft for the third Blood Witch book. This is a pretty huge accomplishment, even if there is still a lot of work to do. This means I have all three in some state of “done” and it’s time to run back to the beginning with my notes of all the changes that need to be made in books one and two.

Of the three of these, I think the middle book came the easiest and there were a lot of times struggling through book three felt like I was trying to push my way through frozen molasses.

Book one is the most complete and polished. Three is the least.

I guess this is what comes of trying to write during the apocalypse. I am glad I didn’t push out book one when I thought it was done, because some of the changes and tweaks I need to make to better set up two and three will also make book one better.

I’ve settled on tentative titles, but realize that a publisher may suggest changes.

So where does that leave me, here on a Monday morning before the dawn? To be honest, I’m running through my packing list for Sirens in my head (still need to do meds/makeup/toiletries/electronics). I’d like to say I’m not going to poke any of the three books until after Sirens, but I won’t promise. After all, I can’t seem to sleep past 5am these days, and I need something to do with my hands.

But that does remind me that it’s Monday, and I have to stop working early to go get a COVID test, so it must be time to suck down some Death Wish Coffee, put on my tech writing cape and crown and get to it.

Have a wonderful Monday, Readers! Treat yourself with kindness and love.

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travel in the time of COVID

One week from today, I will be in Denver, CO for a convention unlike most others I have ever attended. I’d be lying if I said I wasn’t anxious about the travel and the collection of people in small rooms. Sure, I’ll double mask on the plane and the con has good COVID practices in place (everyone must be vaxxed and have a negative COVID test for starters), but my only experience with “crowds” was in August this year, and there were only twelve of us.

I considered not going. Several times. However, Sirens is a place that feeds my soul, and if I’m honest, my soul has been sorely in need of feeding.

Sirens is a place where we get to explore the world of speculative fiction (sci-fi, horror, fantasy, etc) through the lens of voices that are not considered “traditional” in that space. By which, I mean: women, BIPOC, LGBTQ+, etc. (Reminder that this year’s anthology, “Villains and Vengeance” is available now!)

It’s part reader’s conference, part writer’s retreat and part networking weekend. This will be my third time at Sirens.

Of course my COVID anxiety is only just part of my anxiety, because there is also the uncertainty of travel, particularly since I am flying Southwest, and my agoraphobia, which has only gotten worse since the start of COVID. I have the advantage of a) flying an airline I know well, out of airports I know well; b) the con hotel is also familiar; c) FRIENDS.

I think having friends who know/understand my *stuff* is my biggest coping mechanism. It provides a safe space when there is no safe space. I anticipate a need for a lot of hermiting time when I get back.

For now, though, Readers, I have a few hours before I have to start the day job and my coffee is fresh and hot. I think that means it’s time to write. Happy Friday!

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villains & vengeance & velocity

I’ve been battling migraines and all of their attendant baggage off and on for about two weeks. Only two days were really bad, but the up and down is exhausting.

Today the headache is only mild, but the nausea is yucky and my sinuses are cranky.

This is the start of my fourth week in the new day job, which I am enjoying. It’s a bigger company than my last few, but I get to learn new things, which makes me so very happy.

It is also October! I do love spooky season, which you know if you’ve been around here long (or not so long). I was supposed to be on vacation this week, but we postponed it out until we’re in a better place pandemic wise. My next opportunity for shenanigans is in just over two weeks, when I will be attending the Sirens Conference. I’m anxious, but excited.

I can not wait to see my Sirens family.

In case you didn’t know, I edit the anthology we publish to benefit the con, and this year’s anthology is available in both ebook and paperback. I also have a short story in the book. The profit from each book is donated to the Conference to help fund scholarships and/or defray the costs of putting the conference together. You can get your copy of Villains and Vengeance on Amazon.

We’re into that time of year when I can cuddle into fluffy hoodies and sweats, fuzzy socks and fingerless gloves in the morning, and strip down to shorts and a tank top by the evening…it’s also the time of year where time seems to excelerate.

Sure, this whole year has been something of a blur, but from now through January it always seems to enter warp speed.

And that’s pretty much my brain dump for you today, Readers. I hope the Monday treats you with kindness!

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who needs sleep?

I seldom sleep much past 5am these days. Not that I don’t want to. I’d love to be able to sleep in the way I used to…but at the same time, getting up so early means I have time to write that I wouldn’t have if I slept in. Always the trade off.

I’ve seen stuff going round social media lately talking about Revenge Bedtime Procrastination, which sure, I sometimes have that going on, but I think this early morning nonsense is born of the same urge, that feeling like I need more time in my day.

It isn’t like I’m overworked. I do a good 8 hour day like most folks, but being alone means I also need to do all the things that need doing, and sometimes it just feels like I’m getting nowhere fast.

So yes, I was up at 4 am this morning and I already have a couple hundred words on the page to show for it.

I also have an empty coffee cup, so I need to see about filling it with some more Death Wish Coffee. We have finally arrived at the time of year where I can drink my coffee without a fan on in the mornings. It’s cool, almost even crisp this morning, though it will be warm enough for fans by the afternoon.

Happy Tuesday, Readers! I hope the day brings you good things.

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let me tell you a story

There is something to be said about the ways a round of interviews during job hunting can help narrow your focus on what it is you do and why.

Sure, I get tired of talking about myself all the time (I’m not really all that interesting to be honest), but as you answer the same or similar questions, it really does help you hone an understanding of what you love about what you do.

The last few rounds of job-hunting helped bring a few things into focus.

  1. I love helping people to help themselves. That really is a lot of what technical writing is all about. My job is to make the instructions so clear that a user can do their job without needing to access customer support.
  2. I am a storyteller at heart. You may not think that’s something that pertains to technical writing, but you’d be wrong. The story I’m telling is about the user’s journey in using the product, or it’s about the product itself and how users can make the most of it.
  3. I am at my best as a writer, both technical and other, when I can get out of my own way and just let the words flow. It can be a challenge for me to turn off my internal editor, but my writing is always stronger when I do. Editing can come after the words are down.

This being my first week in this new job I’m on the other side of the story, the part where I am learning the story of the company and the product and what my place will be. It is a necessary step toward being able to then help write that story.

And that step needs more coffee! I’m off to start my day, Readers! I hope yours is awesome and filled with kindness.

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doing the work

Some days, when I sit down to write, my mind goes blank. Other days my fingers can’t type fast enough to get everything in my head down on paper/screen. Some days words flow freely and they express things beautifully. Other days it’s more like slogging through mud.

This last week or so there has been a lot of mud slogging. Every word feels like work. Every sentence falls flat.

Yesterday, I hit a point where I wanted to just toss it all. All 205700 words of this trilogy because it is just rubbish (it isn’t) and no one would ever want to publish it (someone will).

To help counter that mind set, I went back to some of my favorite pieces in this story, some of those sentences that sing, those paragraphs that hit with just the perfect (*chef’s kiss*) combination of snark and sass in the midst of terrible circumstances.

And I remember how it feels to write like that. And I remember that all of the slogging at least means there are words on a page, and I can edit words on a page into polished nuggets of gold. And I remember how much I love this story and this character.

Never let someone tell you that writing isn’t work. Hard work.

Do the work. Get the words out. Making them pretty can come later.

Write.

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inspire me

So, where do the stories come from? What makes a good story? Or…what makes a story good?

As with all art, it is up to the Reader to decide whether a story is good or not, and for many they can’t tell you why they feel that way.

Some of us like to read dark, dystopian stories that let us see that the hell of our reality could be so much worse. Some prefer lighter and brighter stories that let us see a better world/future. Some are in it for a driving plot. Others prefer character driven stories. Some want action. Some want comfort.

When I’m reading I like a lot of different kinds of stories. I am drawn to science fiction and fantasy, especially when the characters are vibrant and relatable, even if they are aliens or elves.

However, when I write, tend to stick a little closer to home. All of my published work, and the current series I’m working on, take place in our world (at least to start). My characters are where my story comes from, what my stories rely on. Without them, there is no story.

So, what makes a good character?

Look at the people in your own life. See them for who they are, all their faults and foibles, all of their joys and triumphs. Each of your characters should be that real. Take your time with them, yes, even the background characters should have their own life.

When I am just getting started with a character, I build what I call a character sheet. It includes name, age, height, build, eye and hair color, etc. Then I will add a short backstory. I have a section for character traits (lazy, loves cocoa, overly casual, etc), and how those traits play out in behavior.

It makes a good reference point while writing, but it also gives me what I need when I read through the story for that character. And yes, I read through each story for each character before it goes to my editor…yes, that can be a lot of read throughs!

Probably 80% or more of what goes onto the character sheet never makes it into the story, other than being in the character. For background characters that can be as high as 90%, but I could pick up that character and write the story from their point of view at any time because I know them that well.

My characters are people. Sometimes I hang out in the bar in my head with them while they tell me who they are.

What about you, Reader? What do you look for when you’re reading?

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let’s build

I get asked fairly often how it is that I do what I do. For a long time I didn’t realize that not everyone has an endless loop of stories in their heads or characters that pull up a chair to have a chat. It seems inconceivable to me and I know that in those brief periods of writer’s block I felt like I was going crazy without them.

Each story starts as either a character who just springs to life in my mind, or as world building. Brain, my muse, loves world building. I have hundreds of partially defined worlds in my head at any given time. Sometimes it starts with a concept, say a universe where corporations govern, or gender-bent Victorian era. Sometimes it begins with a character, say an orphan raised in restrictive religious colony that shuns technology but is herself a technological wonder or a pickpocket who is quick on her feet.

Those are the easy things. The stuff that comes before the writing.

Of course, the challenge then is to populate those worlds with characters that will get the reader’s attention or to find a world for that character to live in.

When it comes to plot, I often start writing without one. The first words I get out tell us something about the character, usually by dropping in on them in the middle of some scenario or situation that may ultimately have nothing to do with the primary plot, but gives us a good idea who this person is.

Most of the time, I let the plot fill itself in as I write. Sure, this means that sometimes I have to do some extensive re-writes to make sure it all comes together, but I find that this is where the story comes to life for me. Sometimes I have specific plot points in mind that I want to hit along the way, but not always.

Of course, because Brain is fond of world building, I sometimes craft these meticulously detailed worlds that then sit idle until the right set of characters come around. I have a notebook full of these, and a folder on my One Drive as well.

Now, if I could just get Brain back to the work of telling this story! I have two weeks until I start my new job to try to finish the zero draft of the third Blood Witch book. My coffee is getting cold, Readers, so I’ll leave you here. Have a fabulous Sunday.

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let’s talk tense

As a new writer, one of the hang ups I had was tending to slip between past tense and present, particularly when I was writing action. There’s just something more intense about action in the present tense.

It was an accident that I would sometimes catch, and sometimes not. I still do one thorough reading pass on everything I write just to look for tense slip ups.

None of this to say that one is right and the other wrong, but like POV and you narrative voice, your tenses need to be consistent or you risk pushing your reader out of the story.

I don’t know that I’ve ever read a full novel that was written in present tense, but I’ve read, and written, a fair number of short stories that were. It seems to work particularly well with actions scenes, as I already said, and in particular with sex scenes.

And yeah, I’ve written a few of those in my day. Present tense seems to feel more immediate, more intimate for those moments. However, if your entire story is all past tense, and your action is present tense, well it just feels off. Some readers will recognize the problem, others will only realize that something is different.

Don’t let it keep you from getting your first draft down on paper/screen though. That’s what editing and editors are for.

Happy Friday, Readers! I accepted a job offer yesterday, so I have two weeks to try to finish up the last Blood Witch book before I’m back to the daily grind!

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from a certain point of view

As a reader, one of the things that can kick me out of a story or make me put a book down is what I call “point of view slips”. You know, you’re reading along in one point of view and there’s that random sentence/paragraph that is written in a completely different point of view.

Of course, as a writer, one of the easiest ways to avoid this kind of slip is to write in first person. If my narrative voice is I/me, I’m not going to accidentally tell you what another character is thinking/feeling without that character expressing it in some way.

As an editor and writing coach, this is one of the areas that I dig into. I tell my clients to ask a few questions to help them sort it out.

  1. Who is telling the story?
    • Even in third person narratives, the story is told/experienced through a character. Who is it? What do they know/see/hear/observe?
  2. How does that character know the information in that different point of view?
    • Is your character a mind reader?
  3. Is it necessary for your reader to know what that second character is thinking/feeling? Is it more important than what your primary character is thinking/feeling?

As an example, let’s take a look at how this might present in a fictional setting.

"Harold set his mug down on the table and surveyed the room as the chime on the door announced a new arrival. His impatience was building. He never did like waiting.  Nancy was always late, but he could see her now, shaking the rain off her umbrella in the doorway.  
A thousand apologies ran through her mind as she saw him waiting there, but she settled for lifting a hand in greeting while she finger combed her damp hair.
Harold nodded to the coffee he'd ordered for her, standing to receive her air kiss and shivering when her cold hand touched his arm."

That middle paragraph there takes the reader out of Harold’s point of view, and drops them into Nancy’s with no real pay off. There is nothing in that paragraph that is essential to the reader, or if that is the part that is important, then perhaps the author has chosen the wrong point of view character.

The question then is: Who is telling this story? Whose character has most to contribute to the reader’s understanding of the action? If it is truly Harold, the middle paragraph needs to change to reflect what Harold sees/hears/understands of Nancy’s arrival. If instead, the point of view with the most to offer is Nancy’s, then the rest of the piece needs to be reworked to show her understanding of her arrival and Harold’s impatience.

That isn’t to say that point of view changes are bad. We’ve all read books where the author chooses to change the POV character for various reasons. The trick is knowing when, where and how to do it.

What say you, Readers? Is this a sticking point for you too?

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